And we are filled with a fog-like discontent.
And we are unsure of even the personal value of our observations.
Its as if were asking one another to sleep in small beds built for children.
Its as if by walking were disfiguring those underground.
Being present at the initial event was deemed unsafe in October 2000.
Being present was like holding sparklers that wouldnt go out.
When we lost Gold River, the trees became metaphysical and our brains
wooden.
When we forgot our families faces, we became more lovely at sunset like a toxic
cloud.
Dogs were everywhere, sniffing and tracking, and a wonderful thing happened.
Dogs were nudging us to get up, it was wet, we looked down, and a wonderful
thing happened.
Afterward, new role models better demonstrated not knowing those we love.
Afterward, with needles, we made our symbiosis more frankly biological.
Once again our former home is preserved inside the mountain on which weve
awakened.
Once again each speck of dirt is a frontier.
What will be tossed down the well?
What will be the first words of the covenant because thats all well remember?
The dead and the living hang from each moment like bats.
The dead and the living are a pattern that can be hummed.
Now even I am being held in someones arms and it turns out the river is a type
of bone.
Now even the dead, when seen from close enough, turn out to be moving.
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Catie Rosemurgy lives in Philadelphia and teaches at The College of New Jersey. Her second poetry collection, The Stranger Manual, is forthcoming.
Catie Rosemurgy, Miss Peach: The Novel
Geoffrey G. OBrien, Poem Beginning to End