Cat sleeps on her head like a nerve-helmet. Several cataracts of blackness coming at once, torrents of rasp breaking her across a synapse gap. Hail pummeling the windows and the radios whisper. When anyone asks what color her eyes are, she shrugs and says hazel. Cat would run away every night, through climates of frontier and incompletion. There are cats that walk all night not going anywhere. That must have been the very last night. She can walk back and forth like this for so long, in thought, in the hallway. If she closed her eyes, she could see more light than was out there. Cat saw and didnt see what she passed: dank dripping moss, spongy leaf-rot, and abandoned thickets. Cat could go anywhere, for no one saw in the dark. Its arrowlike stillness, its tangled smell of dead lilac. Each step is into a bottomless pit, each step wakes a sleeping snake, each step collects burrs and poison. If she did not walk away early enough. It is suddenly too late; she can no longer walk away. Cat saw and she didnt see her own body circling. In what direction do the lost veer? It is suddenly clear that she can do what she likes, but she can no longer walk away from wanting to be found. Cat buries the smell of her wine in the evening, the smell of her coffee in the morning. She checks the clock several times in the same minute, then falls into a dream of her daughter scratching the door. It is not light that is failing, that fails, its not light nor dark that dies. She grooms in that pigment, that drug.
Christine Hume is author of three books of poetrymost recently Shotand a chapbook, Lullaby: Speculations on the First Active Sense. She is coordinator of the interdisciplinary Creative Writing Program at Eastern Michigan University.
Christine Hume, A Million Futures of Late,
Poets Sampler: Farnoosh Fathi
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