When I arrived, I thought I knew how to live.
I saw my future as clearly as new frescoes
On stone. What I didnt have, I made do without
Or invented: the trompe loeil mosaic in the summer
Triclinium for a real garden. The songs of birds
From the nymphaeums painted trees. Long expert
At knowing the world through the words of others,
I thought there would be time to live. Before her
Diagnosis, my feeling of fortune was as ostentatious
As patrician villas, tempting disaster. And like the other
Citizens of Vesuvian towns, I feared disaster would find us
But could not bring myself to pack and leave.
Solace comes seldomits as rare as a preserved section
Of fresco, framed in rough wood by the archaeologists
To safeguard it still. Thats how my insides look now
A ruined expanse of smooth stone, graffitied with residue
Of memory, caught under glass, visible if the light is right
And theres no glarefragmented, constant, red.
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Jennifer Franklins poems have been published in Gettysburg Review, The Nation, New England Review, The Paris Review, Pequod, Salmagundi, and elsewhere. She lives in New York City.
Cathy Park Hong, The Engineer of Vertical Frontiers
Alice Jones, Vault
Mark Irwin, The Cake