O inauspicious birth.
I was born a donkey, a capon, then a snotsized
polliwog, born & snorted up a horses
nostril as it drank from a pond.
Then a foulsome stinker Crusoe washed
onto our shore, crying Orright! which Pa,
a lover of all things Brit, christened me:
Orright. Im Orright.
All noble reckoning pointed to a white-
beamed path, a CEO Pa (deemed a fearsome
foe re-educated to his grave),
a swanly Ma (a roaders wife, too vain
they cried & drowned her in her own toilettes)
who tenderly scraped my ears of wax with a sterling
toothy spoon stippled with my surname.
Now, Im not deserving a name.
Im a titbit Xiao, a dollop easily bored,
A trolloping doer, I loll & gag,
at the teargas factory, at the denture factory,
at the heart ticker factory.
Im not fond of people, see,
though Im quite fond of the idea of people.
Inside my bunker, a belljar in every room.
Inside each belljar, a cloudcapt city of silksack
buildings solar-powered by a field of weedsized
turbines so air will be purer than virgins.
Dumb Ideas, Pas cadaver wheezes.
Go back to the factory of dentures, Orright.
Work hard, Orright, work hard.
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Cathy Park Hongs second book, Dance Dance Revolution, was awarded the Barnard Women Poets Prize. She is currently working on her third collection, tentatively titled Frontierlands.
Alice Jones, Idyll
Ange Mlinko, Squill
Mark Irwin, The Cake