2010 Poetry Contest Winner:
Anthony Caleshu

These playful and plaintive addresses to the ever-absent Victor read like pings to a god who never shows up when you really need him. It’s impossible to pin down where this Victor is, or even who or what he is, but it’s clear that his greatest victory is in having made the speaker believe in him to begin with. Victor is the principle that holds things together for the speaker, and when he realizes that Victor’s effectively gone, their once beautiful routine collapses into the tragically mundane. We are delighted in the artistry and in the substance of this unforgettable and important work.

—The Editors




The Victor Poems


1. Calling Victor

Victor, we say, where are you? The wind has a mind of its own.

It has corrupted the dogs who refuse to mush but sit lazily head in paws.

It has whipped the snow like a dairy treat but we are allergic to dairy.

Do not look us in the lips, which are chapped and cracked where our smiles used to be.

On account of our beards, our wives wouldn’t kiss us . . . we wouldn’t let them come with us.

We are now more alone than ever, and we’ve never been good at being alone: ask our bosses, our neighbours, our former amours.

Friends like you Victor, especially in the fresh air, will always be a breath of fresh air.

We follow the long horizon to where the blue of the sky meets the white of the ice.

It took a turbulent plane journey for us to get here, and it took for us to get here to pick up our phones.

We cry to our wives, who cry to us, and so on.

Our need to find you got us into this mess, we know; but knowledge was never our goal.

We’re the heroes of an empty drama: involving no terrorists, nor crash landing.

We’d take comfort in Aurora Borealis, if there were any Aurora Borealis.

We’d find joy in penguins, if there were any penguins.

Victor, we say . . . Victor, can you hear us! But there is no response.

We tell ourselves about your pioneering ways with GPS and GLONASS, even though our signal is weak, and we are weaker.



2. Round After Round

Victor, to be so many friends to so many people.

You’ve always been one of us even though you were never one of us.

The last time we saw you . . . when was the last time we saw you?

We’d all gone skiing in Canada, but you’d gone to Cancun; the postcard read “see you soon.”

We never saw you soon.

We looked to the moon while tuning our guitars.

It could have been the drugs—we were all on drugs—you never did drugs.

There was the time you saved us from the guy whose girlfriend had a guilty conscience.

There was the time you woke us to watch the sun rise when it was setting.

Once, you sponsored a Christmas Swim for those of us who could not swim.

Somebody has to teach you, you said, pushing us cold and deep into the wake of the lake—and that someone isn’t me.

For so much of our adult lives, you’ve avoided us, disappeared, just when the rest of us were trying to appear to the world.

Out of the lake, we paddled until we shivered on shore . . . but you were already, someone said, out the door.

For so long, we’ve chased you—shot after shot at the bar.

Even in absentia, you put your credit card down.

It’s all paid for, the bartender said . . . round after round, after round, after round.



3. Victor’s Arctic Tours

Victor, we’d blame you for this tour, if only this were your tour.

See for Victor, the possibility of authority; white flecks through a white beard.

            When unions ground you, call Victor.

            Where weather prevents you, call Victor.

Victor, we would look for you in the trees in the air—if there were trees in the air.

The only air here is for bear and walrus.

To our chagrin, we are getting as thin as the air.

This sort of lean is no good for anybody.

Our heads are lost in blue skies, without even a broken cloud.

We drift in high winds.

            When melting occurs, call Victor.

            When war prevents you, call Victor.

We cross this single season of ice via snow-cats.

15 kilometers of visibility and still we can’t see Victor.

Short of cache positioning, short of personnel logistics, we await you like a star across the sky.

We need re-supply.

Victor, your breath is not our breath.

            Breathe in Victor.

            Warm us Victor.

If there were trees, we’d be climbing them.

If there were trees, you’d welcome us within their white globe of flowers.



4. The Hours Go By Like Days

The days go by like weeks.

The weeks go by like years.

And so on . . . and so on . . . and so on.

Once, you stole a coat. Once, we stole a coat.

We stole it because we were cold.

Or if not cold, drunk.

We’re not drunk now because we have nothing to drink.

But if we had, say, a keg of beer, we would drink that keg of beer and then we would steal that coat.

The coat hangs on a coat-rack at a nightclub too dingy to have a coat-check.

The coat is hung by its sagging shoulder.

It’s a navy pea coat, heavy wool, double-breasted.

There are black buttons, which (if it were our coat), we would replace with gold buttons.

After dancing all night the cold freezes the sweat in our hair.

After dancing all night, it’s not capitalism, but communism.

Victor, does this sound familiar?

You went back inside to get our coat.

It wasn’t until the next day that someone banged on our door.

No amount of abuse could rise us from under the duvet.

Only the abuser could . . . and would . . . if you didn’t occupy the door-frame with your name, newly embroidered on a shoulder.

You lemon. You meringue.

Let me show you which is worse, he said, the cold or the pain.



5. Victor, Just Before Leaving Home

The home, you said, is our only cause.

We lived neither quarantined nor condemned.

We harvested root vegetables from lumpy couches where potatoes took root in loamy soil.

We sipped at mugs of thick tea steeped from mushrooms sprouting in the tub.

To be at home is not just a metaphor, you said—citing everything from inspiration to bowel movements.

We hopped with the rabbits grazing on leafy mold around skirting boards in the den.

We scraped morning cigarettes from ceiling resin and brewed beer from carpet yeast.

We held our bowels, observing nature from within.

Throughout the day, you cooked while we cleaned until we all played at puzzles, at ping-pong.

We made our own sun and shade.

We smelled of smoke and sweat, shit and sea-salt, and potpourri.

We watched our nails grow well past the quick.

Home is where the—Home is where the—Home is where the . . . the stereo played, over and over, our considerable conversations.

Though our door was on the ground, our home floated just shy of the sky.

Remember, how leaves fell inside us?

In the colours of condiments, we squeezed our night’s dreams from the lazy arms of chairs.


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Comments

1 |
an itch of a thought
Beautiful but more short story then poetry. i should expect this, as our united states still sees the money potential before the art.
— posted 12/16/2010 at 17:04 by Jude
2 |
Bravo bravo, bravissimo!!! Going once, going twice, ...
The rhetoric of the judges' note itself speaks tomes. Is there a grammarian nearby? Un genio! un secondo orazio!:

These playful and plaintive addresses to the ever-absent Victor read like pings to a god who never shows up when you really need him. It’s impossible to pin down where this Victor is, or even who or what he is, but it’s clear that his greatest victory is in having made the speaker believe in him to begin with. Victor is the principle that holds things together for the speaker, and when he realizes that Victor’s effectively gone, their once beautiful routine collapses into the tragically mundane. We are delighted in the artistry and in the substance of this unforgettable and important work.

—The Editors
— posted 12/17/2010 at 01:52 by Osman Bey Kovalyov
3 |
A dirham for every verse!
If I could, I would give the poet a dirham for every verse. My favorite:

To be at home is not just a metaphor, you said—citing everything from inspiration to bowel movements.
— posted 12/17/2010 at 01:55 by Nur Sultan Mir Agha
4 |
I disagree
Hi. My name is Jim Wallace. I'm from the Chicago Bureau of Weights and Measures. I have to disagree with the two previous views. Now that they've outsourced so much of the American economy, why not outsource the poetizing to say, Hyderabad?
— posted 12/17/2010 at 01:58 by Jim Wallace
5 |
I thoroughly enjoyed this piece. It is rare that I read a poem several times, but I did this one.
— posted 12/17/2010 at 02:21 by CeCeAnn
6 |
Two dirhams
On second thought, if I had the financial resources, I would give the poet two dirhams for the verse about bowel movements. I don't want to air my dirty laundry, but I've been quite stopped up the last few days. Maybe because my home doesn't have a toilet. Or is that just petitio principi?
— posted 12/17/2010 at 02:44 by Nur Sultan Mir Agha
7 |
longinus
Clever, despite its repetitive rhetoric and the tired strategm of an appeal to an absent entity, but not really very good in terms of language or imagination.
— posted 12/17/2010 at 16:37 by lewis meyers
8 |
Midland Rd.
He's done it again...absolutely magnificent.

Hail to the Shu!
— posted 12/18/2010 at 17:03 by Patrick Curley
9 |
A reply to pseudo-longinus and CeCeAnn
To CeCeAnn: Only the illiterati read poems once. The fact that you read it five times does not indicate that it is a good poem. You must read a poem at least a hundred times before you can even begin to understand it. That is the test of good poetry. Read Yeats a hundred times to see what I mean.

To longinus, or pseudo-longinus, or pseudo-pseudo- longinus I suppose: go back to the academy! what are "its repetitive rhetoric" and "tired strategm [sic]" and "really very good" other than "textbook examples" of bad rhetoric. Yet, shun me not, this is "constructive criticism," a brilliant rhetorical shift of Eastern European Stalinism.

p.s. I am delighted to inform the members of this venerable assembly that, thanks to the Victor Cycle, my bowels have returned to their normal state of functioning. But, unlike in the case of CeCeAnn, this has nothing to do with my appraisal of the poems' value. Regardless of whether or not (not irregardless mr. longinus!) I have a bowel movement, the verses' "timelessness" is self-assured, for future generations shall dub us "the self-satisfied happy ones" and not der letzte mensch. How wonderful it is that poetry continues to be such an inspiration for intellectual foment. It reminds me of my studies at the Bialystok Agrarian Institute, when we would spend hours poring over Mayakovsky in the dust of the tractor storehouse.

— posted 12/18/2010 at 22:50 by Nur Sultan Mir Agha
10 |
THIS is the winner?
This is a joke, right? Unbelievable. I weep for the cause of poetry in this day and age.
— posted 02/11/2011 at 22:36 by Mark Younghusband
11 |
Incarnations
Incarnations of William Blake; along to Avalon with Victor....believable!
— posted 03/31/2011 at 10:06 by P.K. Marrs
12 |
The Lost Flight
'Victor-Victor" is who we call to SOS, when trouble rears it's ugly head, I'd say the Poem hit the mark. Well spoken, Sir.
— posted 04/01/2011 at 17:19 by T. A. Dieringer
13 |
well, well, well
I think this poem is too long
— posted 04/06/2011 at 01:50 by kink
14 |
Victor Poems
Are these poems or lists of statements? I confess I do not know what a poem is any more and I've been trying to write them for years. I don't think these are poems. They are closer to prose. Could be prose poems if grouped in paragraphs. These lines are pithy, precocious, bits of levity and pretension. They are not poems.
— posted 04/12/2011 at 20:57 by Shirley Rickett
15 |
Victor Poems
Easy reading. I agree with all who wrote about Anthony Caleshu's poems. Let me add the lines also sound like journal entries. I don't always need a point at the end of a poem, but there seems a lack of purpose when the biggest thrill for me was the conjoining in a double object "inspiration" with "bowel movement." I think Gregory Corso did this with more to ponder about. There's a distressing lack of physicality or corporeality that makes the jottings seem too contrived.
— posted 04/14/2011 at 09:49 by Hedwig Gorski
16 |
More Story, less poem...
I think its good if it were a story competition... poetry.. i seriously doubt.
— posted 04/17/2011 at 13:03 by Sumit
17 |
hmmm
Sorry, not a poem reader or writer, but too long to even be interested.
— posted 04/21/2011 at 14:28 by Barb
18 |
Seriously? Are you kidding? Are you joking?
Not being subjective here, but from an objective standpoint, this is NOT poetry!!

A big THANK YOU to all of those who disagreed as well!

This


— posted 04/27/2011 at 21:11 by Adam White
19 |
my sober and honest critique
I don't know. I just don't think that the whitmanesque spirit he presents rings very natural. I have a hard time listening to british poets try to be whitman. The anaphora of "we" doesn't work. It turns me off in poems because I think it is presumptious of a poet to imagine that he or she speaks for everybody in the world. It is a kind of messiah-complex that is off-putting. Of course I'm not suggesting this poet has it, but it is a poetic disease amongst many.

Yes I know people will not appreciate the fact that I don't really appreciate these poems. They're ok really. Yes they are poems. Like Whitman the focus is more on the line than any form or thing like that. I suppose Victor can also be the winner of this game in life that is never really present because nobody wins like that. I feel that the lines however try too hard to be off-beat. Don't you? They try to come at you from all directions, talking about Captitalism in one and then mushrooms in the bathtub in the next. I mean let's be real people. That isn't very interesting. It is a noodly poem sequence is it not? It's just too noodling and wobbly but there are a few nice lines and figures in it that I did enjoy.
— posted 05/06/2011 at 18:58 by Manny Cartola
20 |
Oops
I just checked. I don't know why I thought he was British. I guess he just lives there. Still I thought it was a bit decadent really. It doesn't read aloud well in my hearing it.
— posted 05/06/2011 at 19:04 by Manny Cartola
21 |
Let's be careful folks.
I wonder if Gizzi and Caleshu had met before. Seems they did at a poetry reading in Plymouth in February. They both publish with Salt Publishing and were both featured together in one of those anthologies.

I hope that doesn't play into Gizzi's decision.
— posted 05/07/2011 at 02:37 by Patrick Heldjsborn
22 |
In appreciation.
Though cold, the artist found warmth enough to paint with a loaded brush.
— posted 10/02/2011 at 23:46 by Edwin Heather
23 |
What the hey haw is wrong with you people?
This is awesome. Thanks, AC. I just read more in Conjunctions, too.
— posted 10/11/2011 at 20:11 by Crystal Curry
24 |
I love it. Just add "y" (for "you") to Victor, and reread it with the missing victory, thinking of all the dreams you ever had that were not possible due to social forces beyond your control. A timely piece, the loss of the American Dream, anonymity, descent into poverty, struggle for survival. Not just coming of age, but aging and dying, too, still shoveling the bs, still anonymous, still poor, still bored to death, but worse, now dreamless. Plaintive as the north wind, cold as a New Year's swim, lost. Giving voice to the voiceless, tongue in cheek. Good on ya.
— posted 12/08/2011 at 16:32 by Ruth Hill
25 |
I am still enjoying the endless possibilities: Victor as Wall Street, Victor the Jihad recruiter, Victor as the Egyptian military, Victor as any selfish male who ever sent his pregnant girlfriend a one-way ticket to no-such-address in Timbuctu, Victor the dealer, Victor the abusive employer, Victor the empty-promise parent, Victor the con, Victor the lemon car salesman, Victor the political liar... Such fun! Such stress relief!
— posted 12/09/2011 at 04:21 by Ruth Hill
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About the Author

Anthony Caleshu’s most recent book is Of Whales: In Print, in Paint, in Sea, in Stars, in Coin, in House, in Margins.

Sarah V. Schweig, Poet’s Sampler

Arlo Quint, Poet’s Sampler


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