Night has embalmed the trees in water turned
To ice. There could be sparrows hidingwhere,
However, no flesh seems to knowthe only
Aim the living sustain today is movement
Along the snow, to keep the motion steady.
Again, in the case of winter versus city,
Winter has beaten city, but with brutal
Softness, so that city lays herself down,
Though in a faux submission. She will play
The part this whiteness asks; they play this part
Together as they scan their muted pageant,
A blustery monument to themselves (saying):
See how the slim bare branches bear the thickness
That afflicts them. See how the human tries
To navigate a scene where all distinction
Has been taken. See the shovel, hear how
It scrapes across the pavement in a rite
Of defiance. See them sow salt on paths,
Purged of the usual murmur of their thoughts
And voices. See they only seem to note
Their steps now, one after the other. See what
Happiness we have smothered on this city.
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Elizabeth Whittleseys work has appeared in Western Humanities Review, POOL, and JAAM.
Seth Landman, The Four Questions
Mary Jo Bang, The Nerve Fibers