October



This is the season in which the lambs begin
to die, in which the boy in his red and blue plaid

shirt gets down on his wrists and his knees to crawl
into the moorland at night and spread a cross of pumice

on their foreheads, in which he reads to them a hymn
like a freighter burning with a cargo of ripened fruit

because in the morning he will have to kill them.
Because in the morning he will wake to find his father

standing in the hall like a horse with a lamp in its mouth
and he will have to wade into a river with only that silence

in his arms, and he will harm them. Because every year
I watch him stand at the threshold of a season and begin

to call them, to hold the ruined bodies of the dead
with only a dim chord of flame between his lips

and to touch them, to touch them
and to be with them, to touch them

and to sing with them, the way a child
touches everything, with the hand of his murderer.


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Comments

1 |
Amazing poem!
— posted 08/24/2011 at 15:21 by Maria Williams-Russell
2 |
Great Poem, Joseph!
Love how it moves from abstraction to concrete images. Have read it several times already.
— posted 08/24/2011 at 15:49 by Martin Ott
3 |
October
Oh my. "...to touch them...the way a child touches everything..." More, please.
— posted 08/24/2011 at 20:14 by Richard Fox
4 |
Joseph, I like your poems.
— posted 08/24/2011 at 22:26 by Alex Dimitrov
5 |
October
This is one potent poem. The similes and metaphors de-familiarize in an arresting way: “a hymn burning like a freighter burning with a cargo of ripened fruit”; “like a horse with a lamp in its mouth”; and “with only a dim chord of flame between his lips.” The last two are paradoxically fresh and yet reminiscent of Garcia Lorca. These lead to the most magical metaphor of all, the one that retrospectively embodies and enlightens them all: “”the way a child / touches everything, with the hand of his murderer.” Bravo!
— posted 09/17/2011 at 21:01 by Clif Mason
6 |
Wonderful poem Joseph. So good to come across your work again.
— posted 05/03/2012 at 18:04 by Cynthia Poten
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About the Author

Joseph Fasano’s recent poems have appeared in FIELD, Tin House, and The Southern Review.

Joseph Fasano, Tattoo

Anthony Opal, Yess


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