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The Killers



Not that anybody’s ever going to see it now
but in my very first passport photo
I look like the kind of young man
whom a West German customs official
would have been trained to stare long and hard at,

the eyes, gunmetal grey and the hair
like a metaphor for the mind,
a long and flowing mist,
a guy whose name might be likely to feature
on a government’s most wanted list.

Ten years later, things have changed, love
has clearly been and left what even
those guys you get at La Guardia
would have seen straight away presented no threat,
the hair a little bit shorter, the eyes

exposed to doubt, the face more flesh
than geist and above all else the kind of smile
which I have clearly had difficulty giving
in full like I’m thinking, perhaps,
that it might be a waste or not completely cool.

A lot less flesh than flash, like the speed
at which the years have passed have left me
a little bit stunned, this latest passport photo
looks, all of a sudden, nothing like me.
It’s laughable! What am I doing in color?

My eyes no longer grey? And the hair? Where is it?
It’s as if every border I’ve passed through,
every damned port I’ve been stuck in
has taken an inordinate pleasure in stamping out
that young man, who looked like he could kill.


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Comments

1 |
"The Killers"
I have read going on fifty poems tonight. Only this one has left an impression. This poem "The Killers" has soul. I want to read to the end to see where he takes me along his passport history. I can see the author sitting and writing this from personal experience. Isn't that what makes a great poem? One that speaks from experience. Can we not can see the roads that one poet stood by? We can feel the pain in the loss of a person that was their north, south, east and west. We are there in the room as he writes all the "ifs" that make a man. We read and think about our "thees" we love or that we could stop loving little by little. Put the writer in the room as you write, let them sit beside you and say to you "what I was feeling is in your writing."
— posted 01/22/2013 at 08:06 by Tara Schley
2 |
"The Killers"
The poem is in Andrew Elliott's new collection Mortality Rate, just published by CB editions (www.cbeditions.com)in the UK. He is good. As his publisher, I would say this, wouldn't I, but I do believe it.
— posted 01/26/2013 at 14:06 by charles
3 |
"The Killers"
Clear and deep, humorous and sad, wise and bewildered. As Tara noted above, will stay with me.
— posted 01/26/2013 at 18:31 by Dan
4 |
"The Killers"
Kudos! to one who dares look personalism in a somewhat hagard,physical face, but who for me also furnishes a remarkable kinship to what is human -altogether austere, painful, familial, judgmental, humorous, anthropomorphic, honorably conflicted and beautifully "right on the money!"

Marianne
— posted 01/26/2013 at 20:03 by Marianne
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About the Author

Andrew Elliott is author of the poetry collections Lung Soup and Mortality Rate, forthcoming.

Molly Minturn,
Wake

Anna Maria Hong,
A Parable


   



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