Criticism

Microreview: Anthony McCann, I ♥ Your Fate

Poems whose  nabashed romanticism and faith in simple lyricism remain powerful. 

How to be Happy

The ethics of David Foster Wallace.

Into the Breach

China Miéville’s other reality.

Drowned Out

Julie Taymor’s The Tempest

Saving Souls

David Grossman’s article of faith.

Business As Usual

We’re just biding time for the next Wall Street collapse.

Our Poems, Ourselves

Does autobiography make good poetry?

Microreview: Rachel Loden, Dick of the Dead

An investigation into American sexual and political consciousness with Nixon at its center. 

Microreview: Kate Greenstreet, The Last Four Things

Poems preoccupied with details: the concrete, physical materials of future and past. 

Microreview: Ken Cheng, Juvenilia

A collection that walks the high wire between deeply felt trauma and poetic artifact.

Microreview: Monica Youn, Ignatz

Humor and love act like cat and mouse in this collection.

Microreview: Barbara Claire Freeman, Incivilities

Poems whose power to depict the zeitgeist rivals the iconic image making of Dorothea Lange.

Life Work

Nicholson Baker grows up

The Side of Love

In his poems and essays, Dan Chiasson proves equally adept at rigorous self-interrogation and at an intellectual probing of the outer world.

Suppose You’re an Idiot

Mark Twain tells his own story.

All Of Humanity

King Lear on the big screen.

The Raw and the Cooked

On spontaneity in poetry.

Catch the Dying Light

Out of mourning and its aftermath, The Bride of E asserts a new and energized approach to elegy.

Microreview: Aaron Belz, Lovely, Raspberry

Poems that embrace narrative, brevity, down-to-earth diction, and slapstick.

Review: Union!

By Ish Klein.

Microreview: Dara Wier, Selected Poems

A lack of philosophical posturing, name-dropping and other navel-gazing tics makes this collection very attractive.

Review: The Dance of No Hard Feelings

By Mark Bibbins.

No Letting Go

Bob Hicok's Words for Empty and Words for Full.
 

Review: The Mansion of Happiness

By Robin Ekiss.

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