The Latest
Sovereignty’s End and Beginning
In Somaliland, the pursuit of statehood has come with a bitter irony.
The Machines Get in the Way
The work of art—and the work of making art—in an age increasingly hostile to it.
Dispatches from the Forever Wars
A special section in our Spring 2026 issue, with writing from Iran, Lebanon, Iraq, and the West Bank.
The War on Gaza Has Not Ended
A hundred days after Trump’s Board of Peace was ratified, nothing has improved here.
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The War on Iran
The War on Iran: A Conversation
A roundtable on the consequences of U.S. and Israeli aggression, reactions from Iran and the Iranian diaspora, and the future of Iranian struggles for freedom and democracy.
“Making art while making a living, connecting as opposed to transacting with the world: both have become harder, and harder than they have to be.”
—Luke Dunne, “The Machines Get in the Way”
“Reichardt’s finely plotted films, despite their slowness and open-endedness, are often gripping examples of genre as much as they are deconstructions of it.”
—Jacob Rubin, “Art Thieves”
“For Somaliland, sovereignty hasn’t just been a practical matter but an existential one as well.”
—Farah Bakaari, “Sovereignty’s End and Beginning”
“This administration has, up until now, been extraordinarily successful in making other people pay the price for its mistakes and crimes.”
—Olúfẹ́mi O. Táíwò, “A Year of Magical Thinking”
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