Poetry

Browse our essays and reviews on poetry.

Syntactical Splurges

Bernadette Mayer’s The Scarlet Tanager.

Developing “Soft Eyes”

We must remain promiscuous with our binaries.

On the Limits of Binary Thinking

Final repsonse: Why does any of this matter?

Canon-Formations

The avant-garde canon is racially homogenous.

The “I” of Lyric

The middle ground between “conservative” and “conceptual.”

Legitimate and Illegitimate Poems

There are really just two kinds of poetry these days.

Pages and Soundscapes

All too often we treat poems as either written or spoken.

An Introduction to Alterity

The artist in me courts difficulty and complexity.

Loaded Terms

We must not reduce the complex field of poetics to a simple dichotomy.

Heads Will Roll [or: I Did It My Way]

We must synthesize and expel binarial compounds.

The Freedom of Meter

Do real poets write in free verse?

Scientist or Mystic

Being a scientist in poetry has a clear trajectory and a long history.

Irony and Sophistication

Irony is not on one end of a spectrum, with feelings at the other.

The Purposeful Lyric Life

I never got over the lyric charisma of poems in the first place.

Hybrid Poets Exist

Binary thinking is unproductive.

The Difference Between Poetry and Song Lyrics

It is absurd to contend that lyrics inherently have less literary merit than poetry, or are easier to create

The Easy and the Hard

Tarring nouns such as “creativity” with scare quotes is easy.

Ways to the New

So many binaries circulate in and around contemporary poems.

Lying in a Hammock at Blue Mountain Center

“I have wasted my life.” A poetic response to Marjorie Perloff.

Who Are the Modernists’ Heirs?

Who are the modernists heirs? A poetic response to Marjorie Perloff.

Glut Reactions

The Demographics of American Poetry

Gone

For Mark Strand, the End Is in Sight

Deathly Love and Lovely Death

Not many periods in history are as at odds with themselves as England’s Victorian era.

Microreviews: Dean Young, The Art of Recklessness

Dean Young’s first book of criticism is a frenetic and subversive meditation on poetry and poetics seemingly inspired by Whitman’s exhortation to “unscrew the locks from the doors! / Unscrew the doors themselves from their jambs!"

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