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Tag: Visual Art

Browse our essays and reviews on visual art, photography, and architecture.

Terrence Malick’s Knight of Cups is lost in its own symbolism.

Alan A. Stone

Comic books can document the horrors of war better than photos.

Elizabeth Hand

Boston’s concrete modernist architecture is unsurpassed and widely despised.

Anthony Paletta

In Paolo Sorrentino's Youth, the crossroads of despair and integrity.

Alan A. Stone

The Wonders subverts the typical female coming-of-age story.

Alan A. Stone

“Dear Sir, I don’t like the way you crossed me out.”

Judith Levine

University art museums are cheap. They teach. They take risks.

Alana Shilling-Janoff
You can evoke a bird with one, maybe two gestures. One is sufficient—beak or wing, and you’re done. Bird.
Amy Benson

Shigeru Ban's humanitarianism is unquestioned, but are his designs too humble to warrant architecture's most coveted prize?

Stephen Phelan

OneTouch travels the African continent, showcasing its natural beauty.

Rose Odengo

If there is a moral limit to artistic license, director Alice Winocour has gone beyond it in Augustine.

Alan A. Stone

Fitzgerald's novel is overrated, but the new film version deserves more credit than it has received.

Alan A. Stone

Remembering Ficre Ghebreyesus.

Elizabeth Alexander

Abbas Kiarostami's Like Someone in Love

Alan A. Stone

The Many Partners of Fred Astaire.

Megan Pugh
Paul Thomas Anderson’s The Master. 
Alan A. Stone

What problems arise when governments use art as a substitute for political engagement?

Corinne Segal

The story behind the municipal bankruptcy of Stockton, CA, illustrated.

Susie Cagle

John Madden, the distinguished British director of The Best Exotic Marigold Hotel, tells us that his film has the structure of a Shakespearean comedy.

Alan A. Stone
Woody Allen’s You Will Meet a Tall Dark Stranger.
Alan A. Stone

Revolutionary theater in Palestine.

Robin D. G. Kelley

An Interview with Anne Makepeace.

Jana Pickart, Anne Makepeace

It’s strange to think of Katchor’s work as lifelike, but there it is. Its lifelikeness is partly a function of the felt possibility of ongoing randomness inherent in the comic-strip mode.

John Crowley

Lars von Trier’s Melancholia.

Alan A. Stone

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For National Poetry Month, sign up for our newsletter and get a digital copy of our out-of-print chapbook Poems for Political Disaster.