Arts in Society

Boston Review’s Arts in Society section publishes poetry, fiction, creative nonfiction, and criticism. It focuses on how the arts loosen the hold of convention, bear witness to injustice, provoke new ways of seeing the world, and speak to the most pressing political and civic concerns of our time.

Browse by Genre

Criticism, Poem, Memoir, Short Story

Browse Criticism by Topic

Fiction, Film and TV, Literature, Music, Poetry, Visual Art

Inventing Irving Howe

He yearns to be a socialist leader, a man of action, but what he loves is the Talmudic solitude of the written word.

Lesbian Fictions: Straight or Narrow?

Traditionally, lesbians have appeared in fiction just long enough to be saved by men, perform acts of gross depravity, or suffer at their own hands.

The Milkman & I

Winner of Second Annual Short Story Contest

A Strange Hybrid

A close look at post-Soviet commercial advertising reveals that market norms never really took hold—even among capitalists.

Outside the Blue Nile

Realization and Recognition

The art and life of John Fante.

Layaway

Winner of First Annual Short Story Contest

New South African Poetry

Review: Carl Philips’s In the Blood

Review: Elaine Brown’s Taste of Power

The Intelligent Forty-year-old’s Guide to Rap

Rap poetry is full of cutting-edge linguistic innovations.

Into the Electronic Millennium

The first installment of a new series, Terminal Reading.

The Mapplethorpe Moment

For the photographer, art happens when the heat of living and the ice of death meet.

Making It New

For a second generation of Holocaust writers, the wounds are still open but the language is closed.

Influences

On the power of T.S. Eliot.

The Month of Rushdies

Seeing Eye to Eye

An interview with Arthur Miller.

Walking the Line

Don DeLillo and the New Journalism.

Poet’s Sampler: Ha Jin

Party

Inside Book Reviewing

The moral quandaries of criticism.

Video Novels

 TV subverts even the possibility of morality, of human responsibility.

Is There a Postmodern Music?

Serialists are consolidating one of the most radical shifts in music history.

Under the Gun

The thing that’s missing from American writing today.

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