Arts in Society

Boston Review’s Arts in Society section publishes poetry, fiction, creative nonfiction, and criticism. It focuses on how the arts loosen the hold of convention, bear witness to injustice, provoke new ways of seeing the world, and speak to the most pressing political and civic concerns of our time.

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Criticism, Poem, Memoir, Short Story

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Fiction, Film and TV, Literature, Music, Poetry, Visual Art

Running the National Marathon, Washington, D.C.

The wind erodes our cheeks like limestone, awakes us
to our run. There is more than one way to see ourselves
in the Sphinx.

Odaxelagnia

When I sink my teeth into you,
there is a taste, a satisfaction, the start
of a match, the catch in your throat.

The Monstrosity of Sor Juana

Two new translations resurrect Mexico’s most enigmatic and paradoxical Baroque poet.

Feel Happier in Nine Seconds

My happiness is twice
your size, gold-chained
to the lamppost. It strains
its waistcoat as it grows.

OF BEING TRANSMITTED ON A SILVERY ALIEN WHEEL

 Last night’s songbird. Tonight’s theremin or kite. Owls, abduction. Alighting lights.

White Meadows

There are no meadows in the mind of the oppressed.

Writing at the End of the World

Celebrated dystopian novelist Paul Kingsnorth talks surviving the collapse of civilization as we know it.

YOU WORE OUT YOUR WELCOME WITH RADIANT ABILITY

Tarred, tarried July above the finger-point
of by-law. Quiet men

are quietly roofing in runic arrests. Progress can be stopped

Two Poems

The lucky hum of plums and peaches.
Or a tangle of
                        lingering. Skin and seeds.

Finding Ourselves in the Venetian Ghetto

What can Trump’s America learn from The Merchant of Venice?

Manifesto

Make a mountain out of every molehill. Roll up
            dirt the way a kid gathers snow around itself
to make a man, but skip the coal, coal in mountains
            a major reason molehills must make do,

Indicators of the Probability of Rain

There is little, of course,
to leave behind when you’re not here.
Incisor. Mandible. Quarter moon of bone.

Three Poems

I’m done, too, with this talk of tongues
                        and how a mouth can be undone

by something lifeless as the sea.

Sun and Urn

On the electric poetry of Christopher Salerno.

To My Indeterminate Half

The ossature of this living moment slips

Beneath your skin, unspoken

Or unbroken without allegory, and if I must now give in

Winter Poetry Reading

New poetry from Molly Bendall, Dana Levin, Simone White, Anna Moschovakis, and Elaine Equi.

Vicious Breeds

I just don’t happen to think men are as good as dogs, because I’m not fucking crazy.

Icicle Creek

At Icicle Creek, I find the fox dead and gray.
I see a woman standing over his corpse.

Her tail whips behind her, stirring air.
I pray to be harmless.

Women’s Work

I work to make
my body a comfort. My body:
            the table where strangers sit to be served

                        as king in a court of cross-stitched
            felons. 

Four Poems

With sight aborted would I be
    you, bloodstone chamber
beside the lost-to-me river?

You be my business?
   Not these words that return you
only in dreams

Pessoptimism of the Will

Emile Habiby’s absurd fictions offer a map for surviving impossible political conditions.

The Goddess of Loss

On Indian literature in English after Arundhati Roy.

The Turtle

Translated from the French by Andrew Zawacki

The Bartleby Strategy

Our democracy may depend on government workers, and indeed all of us, saying “I would prefer not to.”

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