Arts in Society

Boston Review’s Arts in Society section publishes poetry, fiction, creative nonfiction, and criticism. It focuses on how the arts loosen the hold of convention, bear witness to injustice, provoke new ways of seeing the world, and speak to the most pressing political and civic concerns of our time.

Browse by Genre

Criticism, Poem, Memoir, Short Story

Browse Criticism by Topic

Fiction, Film and TV, Literature, Music, Poetry, Visual Art

Some Novelties of Stagecraft

Toxic Assets

Ambiguous Origins

Boat

[ill wind]

The State of Utah Is Shaped Like a Glove

Dear Day,

Touching Their Ancestors’ Hands

An Interview with Anne Makepeace.

Poet’s Sampler: Corina Copp

Reading Corina Copp’s work, one gets the sense that she is part of a long lineage of poets whose language is less a means to express what can be said than what should be said, or what has long been waiting to be said.

We Are All Khaled Said

An Interview with the Administrators of the Facebook Page that Fueled the Egyptian Revolution

Mutts

Duchess, the dog that Jack and his dad brought home, is sitting by the kitchen table in a pair of women’s underpants.

Mock Star

Lars von Trier’s Melancholia.

Unpacking

It’s strange to think of Katchor’s work as lifelike, but there it is. Its lifelikeness is partly a function of the felt possibility of ongoing randomness inherent in the comic-strip mode.

Cold Gem

Fuller enters a babblingly confident corporate world where he concedes that something frightful is on the way.

Each Passing Thought

Rae Armantrout's Money Shot.

Microreview: Laura Solomon, The Hermit

“I dreamt of a poem in which I mastered all my feelings.”

Microreview: Lisa Fishman, Flower Cart

Poems driven by the spirit of thing-finding.

Microreview: Eugenijus Ališanka, from unwritten histories

Giving voice to identity and experience.

Microreview: Albert Mobilio, Touch Wood

Bare poetic essentials that at the same time function as gleaming ornaments.

Microreview: Shira Dentz, black seeds on a white dish

Poems that challenge the reader to some speedy catch-me-if-you-can linguistic play.

2011 Poetry Contest

The Man from the Phone Company

The Harp and the Machine

Argument in Optative

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