Arts in Society

Boston Review’s Arts in Society section publishes poetry, fiction, creative nonfiction, and criticism. It focuses on how the arts loosen the hold of convention, bear witness to injustice, provoke new ways of seeing the world, and speak to the most pressing political and civic concerns of our time.

Browse by Genre

Criticism, Poem, Memoir, Short Story

Browse Criticism by Topic

Fiction, Film and TV, Literature, Music, Poetry, Visual Art

Letter from the Boreal Hermitess

Poet’s Sampler: Cyrus Console

Microreview: Paisley Rekdal, The Invention of the Kaleidoscope

Brilliantly-made poems that are complicated, constantly in flux, and fragmented.

Microreview: Matthew Zapruder, The Pajamaist

Poems presented as objects of contemplation.

Microreview: Jaime Saenz, The Night

The Night redefines what it means to be illuminated by anatomizing the experience of being enveloped in darkness.

Left Behind

Romanticizing Germany's Urban Guerillas

A Baby Is a Baby Is a Baby

A short story.

The Cynic

A short story. 

Something for Myself

Haruki Murakami’s strange world of hope.

Making Monsters

In the Valley of Elah, directed by Paul Haggis.

His Face in the Mirror

On the poetry of Zbigniew Herbert.

The Testament of Mr. Cogito

Zbigniew Herbert and the limits of the political.

Enlivened Parties

Two new collections from Joanna Klink and Geoffrey G. O'Brien.

Microreview: Susan Briante, Pioneers in the Study of Motion

“Unstable love, detached love, underperforming love, neo-liberal love.”

The City Visible

Chicago Poetry for the New Century

Microreview: Cole Swenson, The Glass Age

Poems that sit alongside Baudelaire, Walter Benjamin, and Gilles Deleuze.

Microreview: Christine Garren, The Piercing

Unflinchingly severe poems.

Microreview: James Longenbach, Draft of a Letter

Poems that balance verbal paucity with connotative richness.

Variants on Binding

Red Glass Necklace

The Whole False History of Human Beings

A Skeleton I Made From Skeletons I Found

The Ghost Back Home

The Old Bills

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