Last Battle

Burn!, directed by Gillo Pontecorvo.

Alan A. Stone

A Good Look

The Station Agent, directed by Thomas McCarthy.

Alan A. Stone

Realism’s Redemption

Sweet Sixteen and Raising Victor Vargas.

Alan A. Stone

Cheap Shots

Michael Moore’s Bowling for Columbine.

Alan A. Stone

Twenty-first Century Woolf

On The Hours, directed by Stephen Daldry.

Alan A. Stone

Reel Terrorism

Reconsidering Pontecorvo’s The Battle of Algiers.

Alan A. Stone

Dreams and Deceptions

Zhang Yimou loses his muse.

Alan A. Stone

Contingency and Grace

Jill and Karen Sprecher create characters worth believing in.

Alan A. Stone

Innocents Abroad

We Were Soldiers, directed by Randall Wallace.

Alan A. Stone

A Beautiful Illusion

John Nash and the Hollywood romance with mental illness.

Alan A. Stone

Desperately Seeking Sex

Intimacy, directed by Patrice Chereau.

Alan A. Stone

Absurd Humanism

Divided We Fall, directed by Jan Hřebejk and Petr Jarchovský.

Alan A. Stone

Zhang Yimou’s Long Road Home

The personal and aesthetic odyssey of China's premier director.

Alan A. Stone

No Defense

Alan A. Stone

Political Football

Alan A. Stone

Credit the Director

Dancer in the Dark, directed by Lars von Trier.

Alan A. Stone

My Brother’s Keeper

Shower, directed by Yang Zhang.

Alan A. Stone

The Fresh Prince

Michael Almereyda's high-tech Hamlet is–surprise!–a serious interpretation of Shakespeare.

Alan A. Stone

Split Personality

Girl, Interrupted, directed by James Mangold.

Alan A. Stone

Shakespeare’s Tarantino Play

Titus, directed by Julie Taymor.

Alan A. Stone

Beauty and Redemption

American Beauty and Elaine Scarry look for aesthetic experience in unexpected places.

Alan A. Stone

The Artist as Survivor

King of Masks, directed by Wu Tian Ming.

Alan A. Stone

A New Hope

Star Wars Episode I: The Phantom Menace.

Alan A. Stone

Lives of Women

The Autumn Tale, directed by Eric Rohmer.

Alan A. Stone