Criticism

Review: Wrong

By Reginald Shepherd. 

Review: Men in the Off Hours

By Anne Carson. 

Microreviews: Summer 2000

Eight new poetry collections. 

Split Personality

Girl, Interrupted, directed by James Mangold. 

Trials of Conscience

Review: Peter Gadol and Robert C. S. Downs.

Review: Blonde

By Joyce Carol Oates. 

Review: Fay

By Larry Brown. 

Review: Blue Angel

By Francine Prose.

Review: The Father of the Predicaments

By Heather McHugh. 

Review: O Wheel

By Peter Sacks. 

Review: Then, Suddenly—

By Lynn Emanuel. 

Review: The Character and Polyverse

Two first "full length" volumes. 

Shakespeare’s Tarantino Play

Titus, directed by Julie Taymor.

The Cult of Authenticity

India’s cultural commissars worship “Indianness” instead of art.

Beauty and Redemption

American Beauty and Elaine Scarry look for aesthetic experience in unexpected places. 

The Mysterious Romance of Murder

The enduring highbrow fascination with detective stories.

In the Machinery

By Alice Elliott Dark and Tracy Chevalier.

Golden States

Review: Lucia Berlin and Liza Wieland.

Embracing Defeat

How the publishing industry is failing readers—and how it could do better.

Review: American by Blood

By Andrew Huebner.

Review: Sick Puppy

By Carl Hiaasen.

Review: Equal Love

By Peter Ho Davies.

Prose Microreviews: February/March 2000

From Tupperware to Stalin. 

Review: Wake

By Bin Ramke. 

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