Criticism

Review: W. S. Merwin’s The Vixen

Democratic Detective

The novels of Paco Taibo Ignacio II reveal the raw sewage of Mexican politics — and a labyrinth of solidarity hidden beneath it.

Review: Lucie Brock-Broido’s The Master Letters

Imagining the Nation

On poetry from Vietnam.

Writing About Revolution

Revolutions are acts of hope. That’s why they are the terrain of novelists as much as historians.

Identity and Immunity

In the face of the AIDS crisis, physical expressions of love are as revolutionary as the act of writing poetry.

Inventing Irving Howe

He yearns to be a socialist leader, a man of action, but what he loves is the Talmudic solitude of the written word.

Lesbian Fictions: Straight or Narrow?

Traditionally, lesbians have appeared in fiction just long enough to be saved by men, perform acts of gross depravity, or suffer at their own hands.

Realization and Recognition

The art and life of John Fante.

Review: Carl Philips’s In the Blood

Review: Elaine Brown’s Taste of Power

The Mapplethorpe Moment

For the photographer, art happens when the heat of living and the ice of death meet.

Making It New

For a second generation of Holocaust writers, the wounds are still open but the language is closed.

The Month of Rushdies

Walking the Line

Don DeLillo and the New Journalism.

Inside Book Reviewing

The moral quandaries of criticism.

Video Novels

 TV subverts even the possibility of morality, of human responsibility.

Is There a Postmodern Music?

Serialists are consolidating one of the most radical shifts in music history.

Under the Gun

The thing that’s missing from American writing today.

Le Cage au Dull

The varieties of gay fictional experience.

The Emperor’s New Fiction

Writers of the lost voice.

The Long March of the New York Intellectuals

And the fate of criticism.

After Rawls

The scramble of moral philosophy.

Heaney Agonistes

In Station Island, Seamus Heaney continues his personal struggle with the meaning of the Irish past and the relation of poetry to poitics.

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