Arts in Society

Boston Review’s Arts in Society section publishes poetry, fiction, creative nonfiction, and criticism. It focuses on how the arts loosen the hold of convention, bear witness to injustice, provoke new ways of seeing the world, and speak to the most pressing political and civic concerns of our time.

Browse by Genre

Criticism, Poem, Memoir, Short Story

Browse Criticism by Topic

Fiction, Film and TV, Literature, Music, Poetry, Visual Art

Cassandra Data

To not have had the luxury to think “the world is over,” but to feel it instead.

Saint Lillie

My grandmother tells me she loved you fiercely
in the way she reaches for me when your name
is spoken.

Reversing the Silence

Thelonious Monk lost (and found) in Paris.

Two Poems

The stones are endlessly weeping in the dark. Or is it
the bird-chatter of rain. O darling, are you writing
another poem about trees? No, not trees but ghosts
that live on trees and their legend of never-let-gos.

Kaitiakitanga

The world never really ended. An apocalypse wasn’t an end so much as a change of state, ice into water.

A Piece of One’s Past

What does it mean for those living in the diaspora to remain attached to the land they left behind?

The Wind Has Swept Away What the Fire Has Spared

“I will be a tightrope walker,” she said, “and I will walk across the air to you.”

The Still, Small Voice That Thunders

“Most were drills. Pilots weren’t to know which were the real deal. They were not to think of the lethal effects of their duty.” A pilot is pulled aside by a desperate woman seeking help.

Letter to the Editor: “A Century of Serious Difficulty”

On reading outside the university.

Post-Literature

This is my version of the story, but I will illuminate only a corner of it, one that ran parallel to and underneath it, revealing what was left in its wake.

Upper Avenue

“Abroadness became my obsession.” When a young Nigerian girl is invited to go live with her uncle in Canada, it sets in motion a peculiar friendship with someone she has long envied.

Undo

“You can’t go to Mass like that.” A woman’s mother wakes up dramatically transformed, leading to a reappraisal of their relationships.

Henry on Birth Day

When you were / in the Everglades we canoed from Flamingo and through the canals.

It’s Time

My feet moved down another street / and I saw the shape they would draw / on the map in my mind.

A Day That Was Mine

Look at my heartbeat / and its consequence, / that cup warm on my palm

Flowers for Farah

In her scholarship, mentoring, and activism, Farah Jasmine Griffin brings a praxis of radical love to an unequal academy.

Imago

How would I know / when I’m empty and quiet like breath?

A Century of Serious Difficulty

Reflecting on three monumental works of modernism a hundred years on.

Two poems by Hannah Craig

But I do miss the hymns, / the small, hard apples with their dimpled skin. I do miss / things.

Wounded Surgeon

As a student, I stitched / a cadaver together / while my professor / said you must / be a predator . . .

Six Months of Salad

“She stuffed spinach in her mouth until her teeth were a hayish green.” A woman’s extreme diet earns praise from church friends but concern from her family.

Archive Fever

László Krasznahorkai’s Spadework for a Palace reflects on the power of the surveillance state through the perspective of a librarian who wishes to lock up all books.

Announcing the 2022 Aura Estrada Short Story Contest Winner and Finalists

Congratulations to Parashar Kulkarni!

Announcing the 2022 Boston Review Annual Poetry Contest Winner and Finalists

Congratulations to Njoku Nonso!

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