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Speculation

This collection of poetry, stories, and essays engages speculation as both a ubiquitous feature of financial capitalism and a radical tool of collective imagination.

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Speculation

How can the speculative imagination help us build a better world?

At a world-historical moment of global upheaval, speculative writing is enjoying a renaissance. This collection of poetry, stories, and essays engages speculation as both a ubiquitous feature of financial capitalism and a radical tool of collective imagination. By rejecting dominant ideas about what is possible, speculation empowers us to plot new paths to a more just world.

Creative works range over violence and healing, memory and erasure, and alternative worlds, while essays span the meaning of land and community in the African diaspora, Octavia Butler’s speculative fiction, and the ethics of the far future. Taken together, these works suggest that speculation is ultimately about our relationships with each other—as one contributor puts it, “what they have been, what they are, and most important, what they could be.”

 

Contemporary life has been deeply molded by financialization. But the speculative imagination can also be a tool for building a more just world.

Aris Komporozos-Athanasiou
Parashar Kulkarni

The Origin of Cow Therapy

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Poetry

The stones are endlessly weeping in the dark. Or is it
the bird-chatter of rain. O darling, are you writing
another poem about trees? No, not trees but ghosts
that live on trees and their legend of never-let-gos.

Njoku Nonso
Junot Díaz

Unleashing Nightmares: Octavia Butler’s Heart of Darkness

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Abu Bakr Sadiq

Two Poems

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Amanda Rizkalla

Exodus

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Poetry

My grandmother tells me she loved you fiercely
in the way she reaches for me when your name
is spoken.

Alexis V. Jackson

In his new book, philosopher William MacAskill implies that humanity’s long-term survival matters more than preventing short-term suffering and death. His arguments are shaky.

Kieran Setiya
Poetry

To not have had the luxury to think “the world is over,” but to feel it instead.

Sandra Simonds
Christina Drill

The God Gene

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Kristin Emanuel

Footage of Benjamin, the Last Living Tasmanian Tiger—1935, Colorized

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What does it mean for those living in the diaspora to remain attached to the land they left behind?

Kenda Mutongi
Kelly McCorkendale

Cat of Nine Tails

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Ashley Warner

Two Poems

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Swati Prasad

An Island Without Sea

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Poetry

I begin to feel my body rise / and I can believe / in what freedom must feel like.

Evaristo Rivera
Fiction

This is my version of the story, but I will illuminate only a corner of it, one that ran parallel to and underneath it, revealing what was left in its wake.

Ian Maxton

In the 1974 cult-classic teleplay Penda’s Fen, the past holds the key to escaping the catastrophic present.

Andy Battle

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Boston Review is a political and literary forum—a public space for collective reasoning and imagination of a more just world.

Subscribe to our newsletters to get our latest essays, archival selections, reading lists, and exclusive editorial content (plus 10% off  our entire store).

Newsletter readers get 10% off

Boston Review is a political and literary forum—a public space for collective reasoning and imagination of a more just world.

Subscribe to our newsletters to get our latest essays, archival selections, reading lists, and exclusive editorial content (plus 10% off  our entire store).